Historical Context
The Habanera originated in Havana during the 19th Century - in fact, the word "Habanera" translates as "the thing from Havana." Its roots can be traced back to a popular dance called the contradanza, which itself evolved from European country dances, brought to the Caribbean by Spanish Colonists in the 18th Century.
The Habanera evolved from the contradanza as a slower, more sensual variation, absorbing African rhythms and Spanish melodies.
By the 1830s, the Habanera was established as a distinct and recognisable form in Cuban music. At this time, Cuba was a cultural melting pot and the popularity of the Habanera quickly spread to Latin America, North America and eventually Europe.
Musical Characteristics
The Habanera has a distinctive, syncopated rhythm. For readers who don't immediately know what syncopation is, it involves emphasizing normally unaccented beats. This creates a sense of swaying, perfectly suited to the slow, sensual Habanera dance:
Melodically, Habaneras often feature flowing, lyrical lines that contrast with the distinctive rhythm played by accompanying instruments. Also, Habanera melodies often employ chromatic passages:
The Habanera in the History of Music
The Habanera has influenced many types of music, extending far beyond its origins in Cuba:
- Latin America Music - the rhythm can be found in many Latin American dance styles, including the tango
- Classical Music - 19th-century European composers were fascinated and enthralled by the exotic Habanera and incorporated it into many of their works.
- Opera - perhaps the most famous Habanera of them all is in Carmen, the famous opera written by Georges Bizet
- Popular Music - early Jazz, especially in New Orleans, was influenced by the Habanera rhythm, and it can be heard in many forms of popular music throughout the 20th century
- World Music - as the Habanera is an a cultural fusion of styles, it has been called an early form of what is now called World Music
Notable Works
It's time for the good bit..... some examples!
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L'amour est un oiseau rebelle
From Georges Bizet's opera Carmen
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La Paloma
Sebastien Iradier arranged for guitar.
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El Arreglito
Sebastien Iradier, sung by Isabel Bayrakdarian
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Piece en forme de Habanera
Maurice Ravel. Hee-Young Lim, cello. Chuhui Liang, paino
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Tony Leatham
Bringing you joy, pain, and all the exquisite notes in between. À bientôt!
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